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All inspired by The Art of Cornwall on BBC4, I went over to the Tate St Ives to check out the Peter Lanyon exhib, his first retrospective in 40 years – now showing for an extended period until 23 Jan.
Lanyon’s works occupy a zone between out-and-out abstraction and realism that makes for rewarding viewing, I think. I prefer starting out with at least a hint of recognition when it comes to paintings, which is probably why the first room of the exhibition was my favourite, with wonderful representations of Porthleven (pictured above), Coverack and West Penwith. Click here for the curator of the Tate talking through the exhibition.
On the way out, I took this picture of the open-air atrium by the entrance – looked like a widescreen telly.
I also stopped off at the Barnoon Cemetery on the way back to find Alfred Wallis’s grave. It took quite a lot of finding in the fading winter light – as you might expect, it’s not an ostentatious tribute. It is simple, unpretentious but nonetheless charming – decorated with tiles by Bernard Leach.
During the is-it-art-or-is-it-simply-a-red-splodge-type debates, I have been known to find myself marooned on the side of the red splodge – perhaps due to a fact-finding journalistic background.
This is why I found the Dexter Dalwood exhibition, currently showing at the Tate St Ives (until 3 May), so engaging. Working at the junction of history and art, Dalwood produces large-scale works that recreate key historical events, celebrity deaths (Sid and Nancy, Janis Joplin) and an array of imagined celebrity bedrooms (Michael Jackson, Jimi Hendrix). Read the rest of this entry »